*I am still laughing at some of the “2017 Resolutions” I see people making online. Most notably this one on Facebook, from EURweb Contributor, Darlene Donloe, that reads:
My goal for 2017 is to accomplish the goals of 2016 which I should have done in 2015 because I made a promise in 2014 and planned in 2013. **sigh**
That’s about as honest as one can get, yes? Many of us vow to become a better?self?whenever a new year rolls around. And?bless our heart I know we mean well, but how many of us who set these hefty goals can really say that we’ve accomplished them at the end of the year?
I don’t know about you, but I seem to come up short each year. No matter how I look at it: positive, grateful, the acknowledgement that “there are those worse off than I,” blah, blah, blah… it generally always comes back to: Are you satisfied with what you accomplished?
And the answer is always “No.”
Face it, some of us may be just too darn hard on ourselves, and other maybe not hard enough! I decided to dig deeper and see how we add up collectively in the whole scheme of things. And with the help of a site called?Chron.com, I learned about Statistic Brain,?another site which compiles data from academic sources. Continue reading
*The following events are presented in connection with the play Bee-luther-hatchee, which runs at Sierra Madre Playhouse from January 13 through February 18.
Whose Stories? Who Tells Them? Is a series of five panel discussions on Writers and Diversity, presented on five consecutive Thursday nights at 7:00 p.m., starting on January 19. The panels will be held at different venues (see below) and all events in the series will be free to the public.
Diane Siegel, Curator of Special Programs for Sierra Madre Playhouse, states, ?The play Bee-luther-hatchee by Thomas Gibbons is a story of writers and writing, stories that deserve to be told, and the issue of who is best to tell them.? The play provokes discussion on race, identity, and the power of writing. Sierra Madre Playhouse is presenting these panels in the community to provide a broader stage for discussion of issues raised in Gibbons’ play.
Storytellers working across several genres including fiction writing, journalism, social media, drama and poetry will focus on the challenges of creating authentic voices and the danger of cultural appropriation. These issues reach beyond the theater and by holding these panels we hope to provide room for discussion that perhaps can lead to dialogue. We are at a unique time in history and discussion of these themes and the power of writing seems crucial to supporting civil discourse in a time of increasing polarization.? Continue reading